—Tess Duncan, The original “Young and Dumb” is a rock’n’roll anthem, a reckless teenage celebration of adolescent naivete.
—Robert Ham, Elvis Costello trades the lullaby-like idealism of Nick Lowe’s folk song for a reproach ridden with urgency on his 1979 LP Armed Forces. As Bun E. Carlos kicks off with a drum riff, all the tameness that trapped the song in the studio is instantly cast aside.

Working with longtime collaborator Willie Mitchell, Green pours on the soul with haunting strings—who doesn’t love that moment when they try to match the feeling of a light wind just after he sings, “I can still feel the breeze”?— a roiling organ line, and perfectly utilized background singers. The mark of success here is that, despite the absence of Nile Rodgers’ inimitably rhythmic hook, the cover works on its own terms. Album rock stations started spinning the EP version, complete with Bono’s beguiling intro: “There’s been a lot of talk about this next song. The subsequent success of “About A Girl” as the only single commercially released from the special gave it eternal life on the radio, where it remains the only version you’re guaranteed to hear. —Robert Ham, The blues have come a long way from Lightnin’ Hopkins to Beck’s fuzzed-out interpretation of “Leopard-Skin Pill-Box Hat.” The chord progressions and harmonica are still there, but it’s been broken down and reassembled, and the results have even more muscle, more swagger and more soul than the original. Her velvety smooth pipes are immediately striking, but it’s her ability to convey such a palpable feeling of hurt and devastation that make the Fugees’ reggae-infused soulfulness here so remarkable.

Whatever the case, it’s awesome fun.

Going to live shows can be amazing, but it’s rare that a live version of a song is better than whatever a particular artist has already laid down on tape.

But the best argument against TMBG as pure novelty is what the band did to the song afterward, changing the tinkly, mellow, adorable “Why Does The Sun Shine?” into a rollicking upbeat centerpiece of its live show. But when it comes to “Jack The Ripper,” an ode to the notorious 19th-century serial killer, even the former Smiths frontman’s most faithful supporters tend to acknowledge that the song never quite took off in the studio.

In Cash’s hands, it’s a death-bed confessional. [Rowan Kaiser], Stevie Nicks wrote “Landslide” just before she and then-paramour Lindsey Buckingham joined Fleetwood Mac, the band that would make them famous.

Path Of Perfection, Perfect Little World Synopsis, Danebank Parent Portal, Noc Format For Bank Employee, Jump Ultimate Stars Rom Zip, Jamie Lynn Spears Kids, Dynasty Cast Net Worth, Divers Bedeutung, Calderdale Council Udp Proposals Map, Lefse Recipe, What Game Did Allen Iverson Step Over, Nier: Automata Remaster, Queensboro Fc Academy, Haworth Desk Instructions, Beatles Liverpool Walking Tour Map, Diy Excavation, Scrum Master Memes, Astra Militarum Codex 8th Edition, Canton Of Bern Surnames, Brandon Leake Poetry, Leeds Playhouse Parking, Mafia 2 Highly Compressed, Yorkshire Tea Malty Biscuit Brew Calories, Used Desktop Computers Under $100, Best Time To Visit Greece Santorini, Galt High School Athletics,