Visit the Gallery’s study room with assistant curator of Australian art, Hannah Hutchison, to unbox works by Hirschfeld-Mack from our collection, many of which were created from within an Australian internment camp during the Second World War. In line with decisions made by the National Cabinet as communicated by the NSW Premier Gladys Berejiklian, the Art Gallery of New South Wales has closed to the public until further notice to help protect the health of all visitors and staff and minimise the spread of …
Deborah Edwards, Daphne Wallace, Margo Neale, Victoria Lynn and Sandra Byron, Review: works by women from the permanent collection of the Art Gallery of New South Wales, Sydney, 1995.

It gives an opportunity for thinking anew about the position of women in art today. This view is from Elizabeth Street facing north towards St James Road as it curves towards Queens Square. Ervin Gallery, The Rocks, 16 Jun 1980–14 Jul 1980, Harbour hymns, city songs: visions of Sydney from the collection, Art Gallery of New South Wales, Sydney, 13 Jan 1990–11 Mar 1990, Review: works by women from the permanent collection of the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 08 Mar 1995–04 Jun 1995, Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999, Nocturne: images of night and darkness from colonial to contemporary, Mornington Peninsula Regional Gallery, Mornington, 23 Apr 2002–16 Jun 2002, Australian Collection Focus: Colour, Rhythm, Design - wood & lino cuts of the 20s & 30s, Art Gallery of New South Wales, Sydney, 12 Mar 2010–11 Jul 2010, Professor Sadler, Japan and Australian modernism, University Art Gallery, University of Sydney, Sydney, 03 Apr 2011–24 Jul 2011, Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013, Modern impressions; Australian prints from the collection, Art Gallery of New South Wales, Sydney, 02 Sep 2016–Jan 2017, John Buckley (Curator), Nocturne: images of night and darkness from colonial to contemporary, Mornington, 2002, 26. no catalogue number.
In mid 1927 she left for England where she began studying lino-cutting with Claude Flight at the Grosvenor School of Modern Art, London and made her first colour linocuts. ), 310, 320. It is also collaborating with The Countess Report, which measures gender representation in the Australian visual arts, to develop guidelines for arts organisations to achieve equality. But then I realise no one seems to know who Joan Mitchell, whose work I love, is.

Called Significant Others, each is a large-scale abstract doubleheader: one head coloured, the other a ghostly companion. Study for 'The leg action conductor' 1934. pencil on paper. Black reduced these forms to very basic geometric shapes in a compressed picture plane, influenced by the principles of cubism. Read the latest visit information, including hours, 23 Dec 1891 Is that about merit, or is it because the wildly masculine image of the hard-living American Abstract Expressionists left their female counterparts in the shade?


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