We were saddened to learn of the death of celebrated Utopia artist Kathleen Petyarre on 24 November 2018. It is not so much a sound as a transparent substrate for organised expression but rather sound being mediated, synthesised, generated, collaged. This average fell by $2000 between 2011 and 2015. It may seem to us at first that meaning, the shape of these works, is elusive. These three results were for works measuring 183 x 183 cm, 122 x 122 cm, and 91 x 91 cm respectively with the smallest, Atnangkere 2000, reaching a sale price of $42,800 at Sotheby’s Sydney in July 2003 against an estimate of only  $6,000-8,000. Leave empty or type-in a single keyword to search in work title or work description. Mountain Devil Lizard Dreaming 2008, a work with Gallerie Australis provenance measuring 184 x 245 cm. Informed by wider social currents of the seventies, the female group gathered a powerful artistic presence within the emerging Indigenous art movement of Central and Northern Australia. Louise R. Petyarre’s record sale in 2009, however, ticked the boxes on all fronts, being large in scale, with a high degree of beauty and integrity. This is highlighted by the thoughtful hang in the upper gallery of the MCA. James, Bruce. Sydney morning Herald. Wade Marynowsky, aka Spanky is a software engineer who has coded a new program which allows audio-video samples to be collated for the live performance of a particular song, triggered live through a preferably loud sound system and video projector. These will always fetch a premium when they come up for sale. Since her paintings first appeared at auction in 1996 a third have sold between $5,000-10,000, another third between $10,000-25,000, and a tenth in the $25,000-50,000 range, with only two works breaking beyond this upward marker since 2009. A re-assessment did not occur until after the dust settled on her retrospective at the Museum of Contemporary Art in Sydney during 2001. The opportunity to see Petyarre become more assured in her style as it is refined and strengthened (even through the claims of fraud that her career has had to weather), and to be absorbed into the many dimensions of Atnangker country, is to witness one of our foremost artists: a woman in absolute command of her skills and vision. A highly respected tribal elder for Alhalkere country, he was born at Boundary Bore around 1930 where he lived until his death in 2010 with his wife Kathleen and their four daughters, all of whom paint. Leave empty or type-in Cooee catalogue numbers (digits only) separated by commas eg: 1463,3119 to find selected works. Only 3 works have entered her top 10 results since 2006 and one of these was her current record which appeared in 2009. There are many possible ways to reproduce a landscape – as map, photograph, impression. Not many males about as the Petyarre sorority eventually consisted of Kathleen, Ada Bird, Violet and Gloria and three other Petyarre sisters. Pierce, Chloé The secondary market is only beginning to achieve spectacular results for works by Kathleen Petyarre. This innovation marks a step forward in the realm of audio-video intersection and hybridisation. The women moved between their traditional and contemporary activities with ease and enthusiasm. Or we can focus on a single work with its commanding presence on the wall and journey through the layers of meaning that it contains. They say that the only law of physics that absolutely requires time is the second law of thermodynamics, the law that says systems tend towards entropy. Are we looking at a map, a representation, a story, a memory? As she imprints on canvas, so her paintings seem almost like an after-image, an imprint, when we close our eyes and remember a space so well known that we can no longer represent it without a multiplicity of experiences and meanings pressing and layering on the image as well. The artwork of the Petyarre sisters share the same Dreamings, including Arnkerrth, the Mountain or Thorny Devil Lizard, Awelye, the women’s body design and stories related to a variety of bush foods. That tendency is time's arrow, the ineluctable winding down of the universe. While Kathleen lived mostly in Adelaide until 2010 with her sister Violet and grand daughter Albie Loy she occasionally painted for Don and Janet Holt at Delmore Downs Station from the time she began painting in the late 1980s. At auction the majority of her works have fallen into the 122 x 122 cm range and the 91 x 91 cm range, principally because these are the sizes that best suit the majority of her imagery and which she therefore painted most often.

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