The editorial team on location needed to process 10 to 20 hours of footage on a daily basis—from ingest through transcoding to clearance—before finally sending media to the cutting rooms in Sydney. Some of it looks deceptively simple, but the variables were enormous. Assistant editors used six additional stations to cut the film, with one running remotely in an in-house DI suite to facilitate greater integration with the DI process. Godzilla vs. Kong is currently slated to hit theaters on November 20, 2020. “‘I try to be as prepared as possible before George steps into the room, and I know what he expects,” says Sixel. Mad Max won the Australian Film Institute Award for Best Original Score. Brian May (28 July 1934 – 25 April 1997) was an Australian film composer and conductor who was a prominent figure during the Australian New Wave. The fan-favorite composer, better known as Junkie XL, is known for his incredible work on the likes of Mad Max: Fury Road, Deadpool, Batman v. Superman: Dawn of Justice , and Alita: Battle Angel . Leverage cutting-edge solutions built upon the Avid MediaCentral platform to unite production teams and weave together more than 470 hours of location footage. Payne (Star Trek Beyond), Lindsey Beer (The Kingkiller Chronicles), Cat Vasko (Queen of the Air), T.S. Brian May, Composer: Mad Max. Mad Max: Fury Road is the fourth film in veteran director George Miller’s Mad Max franchise, and the first Mad Max film in 30 years.Set in a stark desert landscape, the film stars Tom Hardy as “Max” and Charlize Theron as “Furiosa.” The two team up to face a relentless enemy as they try to escape the desert wasteland on the “Fury Road.” May also composed the theme to the highly successful Countdown television series launched by the Melbourne Show Band. By embracing Avid Everywhere, they were able to overcome immense challenges, including harsh production environments, limited Internet bandwidth, and great distances between creative teams to deliver one of the most innovative and exciting films of this generation. In order to meet these challenges, the team turned to Media Composer and ISIS shared storage. © 2020 Avid Technology, Inc. All rights reserved. Junkie XL, the man behind the scores of Max Max: Fury Road, Deadpool and Alita: Battle Angel. With over 470 hours of film, including 90 minutes of complex stunt work, the complexity of managing and sharing such a massive amount of media was staggering.”. That’s thanks to a score composed by Tom Holkenborg, 47, the Dutch musician producer and engineer also known as Junkie XL. Brian May rates highly as one of the best film music composers in the history of Australian cinema. Sixel spent countless hours experimenting, re-examining material, and searching for overlooked gems to provide Miller with as many creative choices as possible. He left the ABC in 1984 and his interests turned to film music. Mad Max: Fury Road is the fourth film in veteran director George Miller’s Mad Max franchise, and the first Mad Max film in 30 years. May changed this by writing and arranging the themes for television programmes, including Bellbird, Return to Eden, The Last Frontier, A Dangerous Life and Darling of the Gods. “Throughout the eight month shoot in Southern Africa, I was in Australia building the cut. May died in Melbourne on 25 April 1997 at the age of 62. Nowlin (The Maze Runner, Pacific Rim: Uprising) and J. Michael Straczynski (World War Z). A breakthrough for May was the drama series Rush, set on the 19th-century Victorian goldfields. George Miller's Mad Max: Fury Road is a two-hour white-knuckle adrenaline rush that sounds as feral and unpredictable as it looks thanks to a score composed by … Once Miller was happy with a scene, Sixel asked the assistant editors to string together every available option for every shot, including numerous comp options. "The Brian May Collection: Two Decades of Screen Composition", AACTA Award for Best Original Music Score, https://en.wikipedia.org/w/index.php?title=Brian_May_(Australian_composer)&oldid=956972266, All Wikipedia articles written in Australian English, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 16 May 2020, at 09:41. Amazon Reveals Bloody New Teaser For 'The Boys' Season 2, 'The Umbrella Academy' Season 2 Trailer Released By Netflix, HBO Max Reveals First 'Doom Patrol' Season 2 Trailer, Keanu Reeves' 'Bill And Ted 3' Debuts First Trailer & New Poster. Junkie XL. I created multiple versions of each scene and ordered them in terms of my favorites. To create these sequences, the team shot with up to 20 cameras at one time—from Arri Alexas to Canon 5Ds—that were often fixed to moving cars and trucks. To cut the film, Miller’s longtime editor Margaret Sixel and her team had to weave together more than 470 hours of location footage into what would eventually become the final 120-minute film.

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