The artwork seems to float in the air and give the impression of moving with the viewer’s eyes. Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. 60cm x 90cm - Price Estimate: $2000 - $3000. Utopia: Women Country and Batik. Prelude to canvas: batik cadenzas wax lyrical. ISBN 1865083054.
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Retrieved 3 November 2009. ISBN 9780734763600. a b McCulloch, Susan (2005).
Her grandchildren include Fred Torres, who founded private art gallery DACOU in 1993, and artist Teresa Purla (or Pwerle). Gallery Savah. The Sydney Morning Herald. p. 329. Born c.1922, in the Eastern Desert, Minnie Pwerle worked on the property and homestead of nearby pastoralists as a young girl and, and whilst still in her teens bore a daughter, Barbara (Florie), to Jack Weir, the owner of a neighbouring station.
p. 736. p. 114.
Minnie went on to have six further children with her husband "Motorcar" Jim Ngala, including Aileen, Betty, Raymond and Dora Mpetyane, and two others who by 2010 had died. Since her death Dacou re-priced all of her canvasses painted prior to 2002 and today these sell for considerably more than the averages listed above. 203-209. Morphy, Howard (1998). Catalogue. Minnie was one of six children and went on to become the mother of seven children including International artist Barbara Weir.
Minnie Pwerle was born prior to 1920 (c. 1910) on the banks of the Sandover River, 350 kilometres northeast of Alice Springs. While the Aboriginal art market was in a buoyant state, the speculative atmosphere at the time made it difficult for anyone, other than those closest to her, to differentiate between her finest works and the large amount of repetitive imagery she produced. Collections. In Sylvia Kleinert and Margo Neale. Description: Minnie Pwerle Silk screen on paper print Number 2 of 25 Certificate of Authenticity from Peta Appleyard Gallery 46 x 33.5cm View additional info Realized: Log in or create account to view price data Lot 11: MINNIE PWERLE (1922-2006) Awelye and Bush Melon 2005 acrylic on linen . Minnie began painting in late 1999 when she was almost 80. MINNIE PWERLE is recognised as one of the World’s best modern abstract artists. Copyright © 2020 AAS | ABN 52 622 766 997. De Brabander, Dallas (1994). Minnie had a child from their liaison, who was partly raised by Minnie's sister-in-law, artist Emily Kngwarreye, and became prominent Indigenous artist Barbara Weir. Green, Jenny (2007). Artwork is stretched and ready to hang.
The energy of these vibrant colourful works seemed to capture the joy of coming across these sweet bush foods, now scarce and difficult to find.
22nd National Aboriginal and Torres Strait Islander Art Award. ISBN 978-0-85575-234-7. It is indicative of the incredible turnaround in Minnie’s records that just four years later, this work was her seventh highest result. Under normal circumstances most auction houses and collectors would have seen this as the kiss of death., but there were a number of fine art galleries that had sold exceptional works by the artist. Marleston, South Australia: J.B. Publishing. Australian Art Collector 27. Barbara Weir was one of the Stolen Generations. While the rambling tuberous roots of the Yam or Bush Potato were Emily’s Dreamings and the subject of her art, Minnie’s primary focus was the Bush Melon and its seeds. As a perfect example, Awelye 2003, a wonderful 120 x 90 cm work executed in a moody blue and white palette with minimalist aesthetic was estimated at just $8,000-10,000 in Lawson~Menzies November 2007 sale (Lot 110) but sold for $36,000, a stunning result compared to the average for works around this size of just $3,500. One of a number of women such as Emily Kngwarreye who dominated central and western desert painting in the first decade of the 21st century,Minnie is considered to be one of Australia's best-known Indigenous artists, whose work "the market couldn't get enough . Barbara Weir. Holding the country: art from Utopia and the Sandover. Minnie Pwerle. Jack was arrested and taken with Minnie and their child to Harts Range police station from which she walked the 600 kilometers back to her outstation with her baby in her arms.
Prahran, VIC: Hardie Grant Books. Fortescue, Elizabeth; Werner Obermeier (2008). Minnie's style was spontaneous, and typified by "bold" and "vibrant" colour executed with great freedom. Birnberg, Margo; Janusz Kreczmanski (2004). pp. Retrieved 13 July 2010.
p. 331. pp. In her late 70’s, after a lifetime of ceremonial body painting she began painting on canvas in 1999.